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Ervin Somogyi perhaps more than any other luthier from the past several decades has helped define the contemporary fingerstyle guitar. When solo artists began recording unaccompanied steel string guitar, they came to Ervin for a more responsive guitar. From this need Somogyi created the Modified Dreadnought, or Mod D, that has now become ubiquitious in the modern fingerstyle world.

Here the dimensions of a regular Dreadnought are tightened up just a bit, and the top is voiced for maximum response at even the lightest touch. While at first glance it may appear to be just another Dread, Somogyi’s Mod D is a creature far removed from the tonal parameters of its traditional predecessor. You’ve got an enormous, enveloping bass response, sure, but the other registers don’t suffer like you find with a traditional dread. Instead, the voice is consistently responsive across the fretboard, so complex chord voicings and tunings ring out with the added clarity you’d normally only find in a smaller, quieter guitar.

Mod D #400 is a powerhouse. Juicy trebles and a profound sonority. Great strummed, but absolutely shines under fingertips. Brazilian Rosewood and super tight Sitka Spruce, a combination Ervin is known for championing. It’s had a few years to open up since we first saw it, and we’re happy to report the voice has only improved with age! This is a unique chance to own one of the best guitar designs ever created, from one of modern lutherie’s most revered makers.

In the world of fine lutherie, Jeff Traugott’s name is spoken with reverence. This guitar delivers everything you’d expect from that immaculate reputation: a crisp, balanced tone with a German Spruce top and sensuous, understated appointments. Incredibly sensitive to your touch, the richly figured and bookmatched Brazilian Rosewood back and sides underscore a tight response and sustain in Fingerstyle arrangements. It excels when played in Dropped Tunings like DADGAD, where the low-end really wakes up and balances nicely the bells in the upper register to create a lush, colorful sound without overpowering the highs. This Traugott R stands headstock and shoulders above its peers.

Here we have another lovely Legacy Select by luthier Tom Doerr. This guitar has a sweetness and fullness of voice that we have come to know and love in Tom’s instruments. Made with the classic pairing of East Indian Rosewood and one of the finest, tightest-grained Sitka Spruce tops we’ve ever seen, this guitar has an incredible velocity of sound. Light playing results in a firm, confident voice that does especially well on Fingerstyle tunes. This has a great low action for ease on the hands. It has a couple of cosmetic issues from finish pulling up around the tuners and the heel, but is otherwise in marvelous condition. If you’re looking for uncompromising tone and playability, and are looking to save a dime or two, this is as good of a find as you’re likely to encounter. Come play it and see for yourself what sets this one apart from its peers.

Here we have a brand new Circa Dreadnought in Adirondack (Red) Spruce and Makore. John Slobod is the Brains and Luthier behind these exquisite Circa guitars. John has garnered quite a following among the pre war style guitar enthusiasts, pick one up and you will have no questions why. His guitars are light and responsive, just like the good old Martins. This Dreadnought will make any flatpicker proud with its open and loud voice. Single note leads just bark out of this thing, the people in the back will have no problem hearing you. John departed slightly from tradition by using Makore for the back and sides, apart from having beautiful figure, we find this would has a Rosewood like presence along with a mahogany like warmth.

The Cervantes Crossover is one of our most popular nylon guitars. Players of all styles from Brazilian to Jazz to Classical are drawn to the unique combination of serious tone and great playability. This guitar features a cutaway, narrower nut, radiused fingerboard and truss rod. The voice is clear, crisp and contemporary. It is very well balanced and articulate. This one has a Spruce top–good power and energy–and Indian Rosewood back and sides, for a balanced tone.

We have heard of Thomas Rein for some time now, we have even had a guitar or two of his in the shop and we loved them, but this guitar is a beast of a different kind. Thomas was showing this instrument at the 2015 Memphis guitar show, and of all the spectacular guitars that we saw and played there, this RJN-3C was our absolute favorite. The tone of this instrument is incredible, it is open like a century old guitar, but with the crispness and sparkle associated with modern guitar. It is mind blowing. Thomas chose great woods for this one, the Lutz Spruce top and Cocobolo back and sides combine exceptionally well, contributing to that special sound Thomas has achieved.

This 2011 Charis SJ evokes a particular feeling when you play it, we personally felt like we were in the misty hills of Ireland, mysterious and beautiful. This guitar is entirely enchanting. The voice is warm and full, the bass is open but not over powering the sublime trebles. Made from the unusual combination of Alpine Spruce and Mun Ebony this SJ is as sure to stun with its looks as it is its sound.

Brian Applegate builds one of the most precise guitars we have seen, which isn’t surprising, as he is a good friend of the legendary builder Jim Olson. This SJ Multiscale in Adirondack (Red) Spruce and East Indian Rosewood represents everything we have come to expect from a high caliber builder: perfect tone, feel, and playability. This is a prototype from Brian, his first foray into the world of multiscale layouts, and he pulled it off flawlessly with 26.4″ on the bass side and 24.9″ on the treble. The combination of Brian’s smooth voicing and the even tension of the multiscale makes this guitar superbly balanced and versatile.

Collings guitars like this one are staples in the bluegrass world, where an aggressive attack rewards players with a bold, colorful sound for accompaniment or leads. The Adirondack Red Spruce lets this slope dreadnought belt it out, but this guitar resides most fondly in the middle registers. This model features a soft V neck, called a “keel shape,” and Brazilian Rosewood back and sides, and the 12 fret design feels cozy in your hands.

This vintage 1934 Gibson Roy Smeck begs to be played, and you can hear the decades of blues underneath your fingertips. In a word, it’s raucous. The neck is sturdy and warm to the touch, with a low action that’s sweet on the fingers and easy on the ears, and it’s got plenty of woody bark as a strummer thanks to the remarkably lightweight combination of Spruce top and Mahogany back and sides. The body has been refinished and has some scratching, and the tuners have been replaced, but this Gibson looks so confident and well-seasoned, you know it’ll be a fun ride each time you sit down to play. This guitar is unstoppable, like an old Ford truck on its second coat of paint.

Check out Toby Walker’s lesson on “The Money Chord” here: www.youtube.com/watch

Check out Toby Walker’s lesson for the “Shakin’ Her Bacon” chord progression here: www.youtube.com/watch

Check out Toby Walker’s performance of “Shakin’ Her Bacon” here: www.youtube.com/watch

Check out Toby Walker’s lesson about “Highway 61” here: www.youtube.com/watch

Here we have a special find from master craftsmen Blazer and Henkes, from Tuebingen Germany. Blazer and Henkes are world renown for their extremely faithful pre-war Martin-style guitars. Everything from the wood choice, appointments and construction hearken back to the hay day of Martin guitars–they even use hot Hide glue. This is the D-18 Coleman sunbusrst model in German Spruce and Mahogany. If you are on the hunt for a light guitar with a big open voice, you couldn’t find better; this instrument sounds like it is right out of the 30’s. It even looks the part with the finish checking over the entire body.

When we first began working with Emerald Guitars, we knew we were at the beginning of a solid relationship. Their Carbon Fiber guitars are some of the best you’l find for the price point, and their Artisan series is the cream of their crop. This X20 is a full-bodied Carbon Fiber guitar finished in a glossy black with Gotoh 510 tuners and an alternative soundhole in the upper bout. It’s a blast to play, with a good, punchy tone and plenty of volume. The glass-like finish on the fretboard and neck is super smooth to the touch and is a breeze to fret. In addition, Emerald’s X20 boasts an armrest bevel and a demi cutaway, enabling you to play effortlessly and comfortably across the neck. This guitar comes wit a Hiscox case and B-Band pickup.

This multiscale Placencia from Michael Bashkin is to a fingerstylist what a dog is to a regular person: their best friend. Not only is Michael’s fit and finish flawless and his aesthetic elegant and contemporary, but his voicing techniques here yield an incredibly precise and responsive OM that can handle just about anything. 26 inches at the low E down to a standard 25.4 at the trebles gives the player the opportunity to dip down into C territory without swapping for heavier strings, and when you pair that with a slim neck profile and overall slinky setup you’re looking at an exquisitely easy player that offers up heaps of tone with even a delicate attack.
Brazilian Rosewood back and sides, German Spruce top, Florentine Cutaway, arm bevel, soundport—what more could you ask for? It’s guitars like this Bashkin  Placencia that humble us, and push us as musicians to keep exploring the sonic possibilities of our field. And that’s about the highest praise we can offer for any guitar.

Here’s an additional demo with Al Pettewayhttps://youtu.be/Oiv-m3x3JzU

Other keywords: lutherie, luthier, fan fret, fanned fret, multi scale, multi-scale, dadgad, finger style, fingerpicking

Every time we get one of Kim Walker‘s guitars in the shop, it’s like eating your mother’s cooking again, years after being a kid–and this Walker OM-40 is better than your mom’s chicken noodle soup could ever be. Everything is absolutely perfect, from the tight-grained Brazilian Rosewood back and sides (and paired Brazilian Rosewood binding) to the butter-colored German Spruce and 42-style Abalone inlay, this guitar is the ideal form of Martin’s OM size. Mahogany neck, Ebony fretboard, Walker’s floral headstock inlay and tap-tuned German Spruce top–each component is assembled in perfect harmony. One look and you can’t miss Walker’s unique glossy finishes which help make his guitars amazingly light and responsive. The tone of this instrument is rich and perfectly balanced–the kind of complex, enveloping tonality you’d expect from a 1920’s Martin. But here’s the kicker: this guitar isn’t even a year old. The response is even and finely tuned across all registers, with a razor-sharp pianistic separation of notes. The low-end is clear, the trebles crisp, and the overtones are clean, subtle, and controlled. Truly, there are very few luthiers creating instruments of this calibre in the world today–and almost none are building them as dynamic and powerful as the Walker OM-40.

McPherson guitars are some of the most recognizable instruments in the industry. If you walk in to a room and someone is playing a McPherson, you will know it right away by looks and by tone. This MG-3.5 in Engelmann Spruce and East Indian Rosewood has ample sustain and headroom with a notably lush mid section, controlled basses and bright trebles. Played fingerstyle or strummed this McPherson is a joy to spend time with, and that unique offset soundhole puts the player that much closer to the beautiful tones the guitar produces.

A work of functional art. This 2007 Petros Celt is, simply put, a complete guitar. The voice is pianistically tuned, it excels in DADGAD as easy as Standard, the setup is glass-smooth, the fit-n-finish flawless. Intricate Celtic knot work across the entire guitar, from the engraft to the wings of the bridge, all the way to the very tuner buttons and truss rod cover.
Brazilian Rosewood is here paired with Italian Spruce on top for an easy balance between the rich bass thunder and the bell-like clarity of the mids and trebles. This Petros is perfect for fingerstyle. We can’t recommend it more highly.

Other keywords: lutherie, luthier, bruce petros, matt petros, the celt, brazilain, irish, fingerpicking, guitar building

Here’s an additional demo with our own Al Petteway: https://youtu.be/qLwqmxz434o

Taylor Guitars teamed up with fingerstyle legend Doyle Dykes in 2000 to pioneer a new variation on their Grand Concert body—and a few years later, this 2005 Taylor DDSM is nothing short of mesmerizing. This is not your standard Grand Concert in any sense of the word. The setup is glossy smooth; its an absolute breeze to play this guitar. The Quilted Maple back and sides have a beautiful figure and give the guitar its clean, crystal-clear tone. The Sitka Spruce top creates a voice which has an absolutely crisp projection. The sweet spot for this guitar is in the ambiguous line between the middle and upper registers—but the DDSM occupies this space with grace and ease. You'll be amazed at how many nuanced sounds you can unearth from the short-scale Ebony fretboard and Maple neck.

The folks at Martin Guitars have outdone themselves again. In collaboration with internationally acclaimed guitarist Eric Johnson, Martin released a limited run of “M” style (Jumbo shape with 000 depth) guitars to Johnson’s specifications in 2003. The result is visually distinctive and acoustically exciting. Thematically, the instrument’s appointments orbit (pardon the pun) around the angel inlay on the headstock and the constellations across the fretboard. The Engelmann Spruce top and East Indian Rosewood back and sides help create a lively, responsive tone to accompany these outstanding inlays. Martin’s M style is known for its tight, controlled bass and punchy, bell-like mids, and both of these characteristics are present in the Eric Johnson Signature Modela tonal palette well-suited for Travis style fingerpicking or driving Swing rhythms. Moreover, the great articulation between the low and middle registers makes this guitar prime real estate to sing along with. This guitar comes with a Martin AVS hard case.

Originally presented to the winner of the 2003 Merlefest guitar picking contest, we are happy to now offer this fine Gallagher Dreadnought to you. We have one of Gallagher‘s more popular models on our hands here, their Doc Watson Edition, complete with Mahogany back and sides and Sitka Spruce top.

Lots of bark to this bad boy, and a meaty midrange that absolutely sings when played with an aggressive attack. Definitely a guitar for flatpickers, this is a Dreadnought which will project a complex tone colored by great low-end depth with the best of them. Furthermore, this guitar straddles the line between the traditional—with its herringbone trim and tortoise-style pickguard—and the modern—with its Florentine cutaway and asymmetrical headstock.

This guitar comes with a TKL hardshell case.

Here we have a Gallagher guitar bearing the name of a great legend, Doc Watson. This Doc Watson model is built from excellent quality Sitka Spruce and Mahogany. As you would expect from anything bearing Doc’s name, this guitar is fantastic, perfect for fast licks and flatpicking. The voice is deep and rich with clarity on every string. As per Docs specs, this Gallagher has a Florentine cutaway making those high and fast runs easy as can be.

Emerald Guitars has been pushing the boundaries of what a Carbon Fiber guitar can look, feel, and play like for several years now. Do you like 12 strings, but hate the bulk? Do you love mandolins, but pine for more strings, more depth? Emerald's Amicus12 Artisan Series placates both players: its 18” scale is slim, the Carbon Fiber body is light, and the 12 strings have a multitude of voices.

The Amicus12 has a bright, merry tone, and is easy to play for long periods of time without fatigue or boredom, thanks to its demi-cutaway, and lightweight neck and headstock. The upper bout mounted sound hole helps deliver your music right to your ear, and the guitar comes equipped with a B-Band UST Pickup and an A3T Preamp.

We know why you visit our site and our showroom at Dream Guitars: because we have the best, most unique, original guitars anywhere. Because we are good friends with many of the amazing builders we represent, and connect players with their favorite luthiers to achieve something beautiful together, like this guitar. Brian Applegate and Paul Heumiller have known each other for some time, so when Paul approached Brian with a unique request from a customer, Brian was unfazed. In fact, Mr. Applegate dove headfirst into the challenge of building this fan-fretted nylon string guitar with a low C string and an elongated scale of 26 7/8″ on the low E and 25 5/8″ on the high. As if that wasn’t enough to make a lesser luthier run away in fear, Brian decided to add an arm bevel to the lower bout, a soundport to the upper, and a five-piece neck of Mahogany, Rosewood, and Maple to the already herculean task presented to him. This is his first seven-string nylon string guitar–and folks, it’s a success.

Applegate’s attention to detail is preponderous: observe how smoothly the Rosewood bindings hug the curve of the arm bevel, fading into a thin line before returning to their regular width for the rest of the body. Follow the interlocking lines of his rosette, a series of geometrical shapes traced around the soundhole in perfect symmetry, or the elegant grace of the Yellow Cedar top as the upper bout and Venetian Cutaway tuck in toward that dark rosette, before sweeping outward across the lower bout and Applegate’s understated Brazilian Rosewood bridge, offset to accomodate that great low C string. And the Cocobolo back and sides! Can you find another set so brilliantly figured? Applegate is a master of the craft–and we’d expect no less from a former pupil of luthier legend James Olson.

Of course, all these beautiful examples of fine woodworking are heart-stirring, but they pale in comparison to the grand, orchestral, absorbing tone of this guitar. The multiscale design allows for an amazingly articulate low-end (that low C string sings a somber and resonant song), and articulation across all the registers is crystal clear. The middle and upper registers exhibit smooth separation, and there’s more sustain than a room of slack-jawed onlookers will know what to do with–and trust us, wherever this guitar goes, people will stare. Applegate’s maestro techniques have yielded a guitar which, surrounded by unique and irreplacable guitars such as only Dream Guitars has, still manages to stand alone, a truly singular instrument.

Michihiro Matsuda’s work is carrying the luthier’s trade into startlingly new and beautiful waters. From his adjustable neck block designs to his “Drop D” headstock stylings, Matsuda’s guitars exhibit all of the features of powerful, modern lutherie. In the photos below, you can see Matsuda‘s approach to rosettes with spalted wood sections, and the scalloping on the wings of the bridge—Matsuda‘s attention to detail is that keen.This 2003 M1 is dynamic, tight, sensitive. The East Indian Rosewood back and sides offer a dry and balanced tone, and the tight grained Blue Engelmann Spruce top projects notes clear as a bell. The modified OM shape is excellent for Fingerstylists with a light attack—this guitar responds best to delicate approach. The Fallaway Cutaway is sharp, both aesthetically and practically, granting easy access to upper frets, and the neck is C-shaped and delightfully slender.

We are happy to offer you a Lowden right out of their specialty shop. This O38 Custom brings some heavy hitters to the wood table: Brazilian Rosewood back and sides, Engelmann Spruce top, and an elegant 5-piece Mahogany neck. Not impressed? Consider the fact that this guitar was built in 1994: that Rosewood and Spruce has opened up nicely and gives the guitar an enveloping warmth. In addition to a perfect setup making this Lowden a breeze to play, it also means the guitar projects exceedingly well, without washout. In fact, the guitar responds very well to Fingerstyle playing, but the tone doesn’t become distorted when flatpicked–chords, solos, bass lines maintain a pianistic articulation across all registers. Plus, there’s a graceful leaf abalone inlay on the fretboard, complementing the softer curves of the upper and lower bouts. This is a beautiful workhorse: a guitar for every application.