In 1998, Boaz and Majkowski embarked on a project to build several Kasha-Schneider Classicals to honor the passing of Majkowski’s teacher, Richard Schneider. The result is something truly unlike anything else out there. The body is constructed with Redwood top—and back—with Brazilian Rosewood sides; the bridge and top thicknesses are engineered to maximize bass response from the left and treble on the right; and the Redwood back is designed to operate as an active speaker diaphragm. Offsetting the soundhole to the sonically dead treble upper bout area frees up the rest of the top to be more optimally braced, and the neck is fretted with Brass to add mass and rigidity, thus minimizing the amount vibrational energy lost in the neck. Gilbert tuners and an Ameritage case round out the package of a one-of-a-kind Classical.
Other keywords: andy jurik, fingerstyle, michael kasha, nylon string, Cecilia