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Add to Compare“Andy’s Gift” by Dustin Furlow – Tablature & Sheet Music Book (Download PDF)
From Dustin:
“Andy’s Gift” is a tune written in DADF#AD (Open D) tuning and dedicated to my friend and extraordinary composer Andy McKee. The time signature is 6/8 which gives it an Irish Jig feel and like with many of my tunes, playing on the left leg is recommended to help engage better leverage for certain sections.
Add to Compare“Rememberance” by Dustin Furlow – Tablature & Sheet Music Book (Download PDF)
From Dustin:
“Remembrance” is a tune written in CGDGCD tuning (commonly referred to as “Orkney” tuning among Celtic players) and capo’d at the 2nd fret to allow for ease-of-play on some of the stretchier chords. Like DADGAD, this tuning allows for open strings to highlight and compliment the melodies while still feeling familiar since the middle 3rd and 4th strings are still tuned to D and G.
Add to Compare“Solitude” by Dustin Furlow – Tablature & Sheet Music Book (Download PDF)
From Dustin:
“Solitude” is a song written in DADGAD tuning that I composed during my first trip to the Netherlands. I was immersed in Andrew York and Al Petteway’s music at that time and did the majority of composing for this on nylon string. As a result, I recommend playing this tune with the guitar on the left leg and if you use a capo at the 2nd fret it will help a lot with the chords in the bridge section.
Add to Compare“The Elder Tree” by Dustin Furlow – Tablature & Sheet Music Book (Download PDF)
From Dustin:
“The Elder Tree” is a song written in standard EADGBE tuning about a memory from my childhood home. It is best performed with a capo at the 2nd fret to help with the chorus section’s natural harmonic melodies which involve a pretty wide stretch. Inspired by the tune “Man with the Green Thumb” by Tommy Emmanuel.
Add to Compare“Airborne” by Dustin Furlow – Tablature & Sheet Music Book (Download PDF)
From Dustin:
“Airborne” is a tuned written in CGDGBE tuning that was originally composed for nylon string guitar. The idea was to expand the normal parameters of the key of G by detuning the 5th and 6th strings to have access to a low, cello-like C chord voicing and a handy open G root while still treating the other 4 strings like you would in standard tuning. I recommend practicing this tune with the guitar on the left leg or with a strap to help elevate the neck. This will help you play the intro melody cleanly and with minimal strain.
