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Add to Compare1956 Gibson J-50 Mahogany/Spruce
This 1956 Gibson J-50 would be a good strummer or folk guitar, just like it was when it was new. The neck is streamlined and comfortable for someone who has relatively small hands. The Mahogany/Spruce body puts forth that classic Gibson tone that we all know and love from so many great recordings. This one is very original and setup great.
SOLD Sale! Read moreScale Length 24.5 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce, Mahogany 
Add to Compare1954 Gibson J-50 Mahogany/Spruce
This is an all original 1954 Gibson J-50 with awesome tone. We had master luthier Bill Tippin do a complete setup and it plays perfectly. This is a powerful Mahogany/Spruce Gibson Jumbo that really has some great mojo. Like all the vintage guitars we offer, we made sure it will be hassle free and play like a new guitar, like a Dream Guitar.
SOLD Read moreScale Length 24.625 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce, Mahogany 
Add to Compare1969 Gibson J-50 Diamond Jubilee Mahogany/Spruce
Here’s a wonderful 1969 Gibson J-50 Diamond Jubilee brought to us by a local gent who played it for years. It has that dry, throaty Mahogany Dread sound that is so engrained in our music. Strum a G chord and it fills the room with that great J-50 chime. We had Master Luthier Bill Tippin go over it and it now plays like a new guitar and will need nothing for years. (See the condition statement for details). Here’s your chance at a hassle free vintage Gibson with superb tone.
SOLD Read moreScale Length 25.34 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce, Mahogany 
Add to Compare2005 Gibson L4CES Mahogany/Spruce
This is a Custom Shop Gibson L-4 CES Archtop guitar. These are made from solid Mahogany for the body and carved Spruce top. This example from 2005 is near mint and obviously well cared for. The setup is perfect and it plays fast and easy. The acoustic voice is lively and plugged in it’s full and fat. A great Gibson design.
Add to Compare1968 Gibson Country Western SJ Mahogany/Spruce
Just listen to the classic Mahogany Gibson tone of this extraordinary Country Western SJ. Incredible strummed sound that you’ll love from the first G chord. The neck is slim and fast for solo work as well. This one is solid with no evident repairs other then us replacing the tuners with Gotoh vintage style. This one has the great patina of age, but no issues. It’s ready to play with killer tone!
Add to Compare1994 Gibson J-200 Flamed Maple/Spruce
We just received this amazing 1994 Gibson J-200 Deluxe, and it is spectacular! With punchy, focused low end and a boatload of top end chime, this guitar excels at big rhythm parts and bold single note playing. Perfect for unleashing your inner Pete Townshend! For a large bodied instrument, this J-200 is extremely comfortable to hold. The slim neck is great for fast melodic runs, and it makes for easy chord fingering. A beautiful guitar loaded with aesthetic charms, this Gibson is one of Bozeman’s finest.
SOLD Read moreScale Length 25.25 in Nut Width 1.72 in String Spacing 2.13 in Woods Spruce, Maple - European 
Add to Compare1959 Gibson A-50 Maple/Spruce
Here we have a very clean 1959 Gibson A-50 Mandolin. It’s all original with little wear. The voice is all vintage Gibson Mandolin, strong chop and clear and articulate single note lines. It’s in perfect playing condition as well. Here’s your chance at an extraordinarily clean 50’s Gibson A-50 Mandolin.
Add to Compare2008 Gibson Custom 1958 Les Paul Standard VOS Mahogany/Maple
This wonderful custom shop recreation comes from the private collection of Dream Guitars owner Paul Heumiller. He chose it for it’s great feel and tone.
From the Gibson website: “The 1958 Les Paul Reissue VOS (Vintage Original Spec) Electric Guitar from the Gibson Custom Shop has the great features, tone, and looks that made the original ’58 Les Paul a classic, but with a plain top for “workhorse” comfort and feel.
Features a maple top, mahogany back, and one-piece set-in mahogany neck with rounded ’50s neck profile, nickel plated hardware, and an original ABR-1 Tune-O-Matic bridge. The Gibson Burstbucker Pickups used are historically accurate “Patent Applied For” replicas with an airy tone and unbalanced coils. A medium output Burstbucker 1 is used in the neck position, while the Burstbucker 2 in the bridge position has a slightly hotter output. Both have unpolished magnets and non-potted coils like the original “Patent Applied For” pickups.
Like all VOS (Vintage Original Spec) Series instruments, the 1958 Les Paul Reissue Plain Top VOS is handcrafted for comfort and playability in the Gibson Custom Shop. The construction, neck profile, hardware, and electronics are period accurate, and a special nitrocellulose finish treatment gives it the patina of a gently aged vintage guitar. “
Add to Compare2007 Gibson Songwriter Deluxe Indian Rswd/Sitka
The Gibson Songwriter Deluxe is an acoustic-electric guitar that delivers the traditional square-shouldered Gibson body style and sound with stylish flair. Gibson’s luthiers have endowed Songwriter Deluxe with a full complement of enhancements such as double parallelogram mother-of-pearl inlays on the ebony fingerboard, antique gold hardware, a sculpted pickguard, 5-ply top binding, and an abalone rosette. All of this makes it a great stage guitar, but this one also has a big, inspiring voice and an easy-to-play short scale, so you’ll enjoy grabbing it to work on new material every day.
SOLD Read moreScale Length 24.9 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce - Sitka, Rosewood - Indian 
Add to Compare2001 Gibson Sam Bush Flamed Maple/Spruce
Here is the wonderful Gibson Master Model Sam Bush Signature F-5 Mandolin. This is an exacting replica of Sam Bush’s own 1930 Gibson F-5. Made with the finest Flamed Maple and Spruce and featuring a slightly wider nut and spacing to allow you more room to fly up the fingerboard. The tone is wonderfully vintage, rich and smokey with great chop and power. Single note lines ring out and cut beautifully. This one is in excellent condition and comes with the original case as well.
Add to Compare1952? Gibson SJ Mahogany/Adirondack
An incredible ’52 Gibson Southern Jumbo (SJ) with a voice like a grand piano. This wonderful instrument is mostly original and plays amazingly well with smooth, even action thanks to recent work by Master Luthier Bill Tippin. The sound of this guitar is unmistakable and LOUD. Every note rings out strong and true thanks to the Mahogany back and sides and Adirondack spruce top. A truly classic vintage 1952 Gibson SJ, this is a hard one to put down.
SOLD Read moreScale Length 24.75 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce - Adirondack (Red), Mahogany 
Add to Compare2003 Gibson Les Paul Bob Marley Limited Edition Mahogany/Mahogany
Gibson celebrated the late Bob Marley with this limited-edition, Bob Marley Les Paul Special, a reissue built to the exact specifications of his guitar on display at the Bob Marley Museum in Kingston, Jamaica. The solidbody mahogany guitar from Gibson’s Custom Shop, Art & Historic division replicates a number of unique appointments including Marley’s trademark white binding on the headstock and fingerboard – now yellowed with age – and small pearl block inlays similar to a mid-1960s ES-335.
Gibson duplicates these characteristics as well as the aluminum pickguard and aluminum football-shaped switchwasher around the 3-way selector switch. A carefully aged Cherry finish as well as marks and scratches copied from the original instrument complete the well-worn look and feel of the guitar; Marley’s signature appears on the headstock. This guitar is #98 of only 200 ever made. This edition is now sold-out making this a rare find.
SOLD Read moreScale Length 24.625 in Nut Width 1.63 in String Spacing 2 in Woods Mahogany, Mahogany 
Add to CompareGibson Pat Martino Custom Mahogany/Flamed Maple
Legendary Jazz guitarist Pat Martino has made a lot of great music through the decades. From his early Prestige recordings, through his comeback albums, and beyond, he has always delivered some of the finest melodic improvisation in Jazz history. It’s fitting then that Pat’s signature Gibson guitar is an equally impressive instrument, with the ability to capture nearly any musical idea. The Gibson Pat Martino Custom is a great choice for jazz and fusion players, but the pickups are equally capable of producing great rock and blues tones too. It has a great feeling neck that is on the slim side, but it still has a solid, substantial feel to it and enough weight to add great sustain.
Add to Compare1994 Gibson Ray Whitley #12 of 37 made SJ-200 Brazilian/Adirondack
Here we have #12 of just 37 ever made of this very rare Gibson SJ-200 Custom Ray Whitely guitar built by Ren Ferguson and John Walker in 1994. Few may know that Ray Whitley, who wrote the hit ‘Back in the saddle again‘ and starred in 54 movies with Gene Autry, also designed the SJ-200 and brought it to Gibson to build in 1937.
This commemorative model is crafted from Brazilian Rosewood, Adirondack Spruce with a sunburst finish, flame Maple Neck, Cowboy Inlays, Mustache Bridge, multiple Bindings and fancy headstock inlays.
Call before high noon tomorrow, to learn how this very cool guitar can be yours!
Fun Fact: Ray Whitley sold the song ‘Back in the saddle again’ to Gene Autry for $200 bucks. Oops!
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.13 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 
Add to Compare2000 Gibson Nick Lucas Re-Issue by Ren Ferguson Brazilian/Adirondack
This is a one-off custom Gibson Nick Lucas Re-Issue. It genuinely feels like a vintage style guitar and has all the tones that blues stylists are searching for. This one is signed by renown Luthier Ren Ferguson and crafted from Brazilian Rosewood and Adirondack spruce with a 14 fret neck. The deep, Nick Lucas body growls and pumps out some serious attitude. The bass response is wonderful and snappy, the trebles are bright and cut well. An easy guitar to hold, to play and to look at!
SOLD Read moreScale Length 24.5 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian
The home of Gibson electric guitars today is “Gibson USA,” built in 1974 in Nashville specifically for the production of Gibson’s Les Paul guitars. Although the entire guitar industry went through a slump in the late ’70s, the spirit of innovation remained strong at Gibson. In response to a growing demand for vintage stylings, Gibson tapped its rich history and reissued the dot-neck version of the ES-335 in 1981 and the flametop sunburst Les Paul in 1982. At the same time, two legendary guitarists joined Gibson- B.B. King in 1980 with the Lucille model and Chet Atkins in 1982 with his new concept of a solidbody acoustic guitar.Gibson world headquarters moved to Nashville in 1984 with the closing of the Kalamazoo plant. The financially troubled company was rescued in January 1986 by Henry Juszkiewicz and David Berryman, and the new owners quickly restored Gibson’s reputation for quality as well as its profitability.Today’s Gibson electric guitars represent the history as well as the future of the electric guitar. The models whose designs have become classics-the ES-175, ES-335, Flying V, Explorer, Firebird, SGs and Les Pauls-are a testament to Gibson’s wide appeal, spanning more than four decades of music styles. Gibson’s close relationship with musicians is manifest in endorsement models from King, Atkins and jazz greats Howard Roberts and Herb Ellis, plus new Les Pauls made to the personal specifications of rock stars Jimmy Page and Joe Perry. In 1994, Gibson’s Centennial year, the new Nighthawk model won an industry award for design, setting the stage for a second hundred years of Gibson quality and innovation.