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Add to Compare2022 Goodall GC, Cocobolo Rosewood/Master Grade German Spruce
This James Goodall GC from 2022 has a lot going on. Ridiculously nice Cocobolo for the back and sides, paired with some mighty fine Master Grade German Spruce. This guitar has a lot of power, very robust treble strings, and is overall well-balanced. It can easily transition into fingerstyle, singer-songwriter vibes, or really just about anything you ask of it. An instrument of this quality clearly shows why James Goodall guitars are so popular in the guitar world.
Other keywords/misspellings: Luthier, lutherie, medium, EVO, 6898, ameritage
$7,800 Add to cartScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - German, Rosewood - Cocobolo 
Add to Compare2001 Goodall Parlor, Brazilian Rosewood/Adirondack Spruce
From 2001, this Goodall Parlor decked out in Brazilian Rosewood and Master grade Adirondack Spruce is not only super comfortable but also wide open. With a 25″ scale length and the perfect setup for fingerstyle, this guitar has become a little powerhouse parlor over 23 years of playtime. Whether it’s for the studio, travel, or frankly the couch, this guitar will find a spot in anyone’s collection.
Other keywords/misspellings: Luthier, parlour, lutherie, bespoke, 0, tkl, 2365
$9,360 Add to cartScale Length 25 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 
Add to Compare2004 Goodall Traditional 000, AAA East Indian Rosewood/Master Grade Adirondack Spruce
Master-grade Adirondack Spruce and East Indian Rosewood are the ingredients for this 2004 Goodall TR000. A 1 25/32″ nut width makes this an excellent fingerstyle guitar, but it’s also suited for a wide variety of playing styles. An L.R. Baggs Element pickup is installed, so it’s ready for the stage as well. Features include a slothead and herringbone trim.
Other keywords/misspellings: Luthier, lutherie, hawaii, good all, 3575S
SOLD Add to cartScale Length 25 in Nut Width 1.78 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Rosewood - East Indian 
Add to Compare2018 Goodall MCJ Pacific Series, Maple/Cedar
2018 Goodall MCJ ‘Master Concert Jumbo’ comes to us with Maple for the back and sides and Cedar on top. An uncommon combination for sure, but a very sweet one. Koa bindings throughout, in typical Goodall fashion, EVO frets, Gotoh tuners, and abalone appointments.
Other keywords/misspellings: Luthier, lutherie, fort bragg, ca, ameritage, 6624
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Cedar, Maple - Figured 
Add to Compare2005 Goodall Traditional Dreadnought, Indian Rosewood/Adirondack Spruce
From 2005, here we have a Goodall Traditional Dreadnought that’s already been opened up for you. It features classic appointments and a classic sound, with Adirondack Spruce that just seems to never bottom out, and some super sweet Indian Rosewood for the back and sides. If you’re looking for a high-quality Dreadnought without breaking the bank, this guitar offers all the bang for your buck.
Other keywords/misspellings: Luthier, lutherie, hawaii, good all, tkl, 4307
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Rosewood - Indian 
Add to Compare2018 Goodall TCOM, Cocobolo Rosewood/Adirondack Spruce
This 2018 TCOM from Goodall Guitars has a lot going on. It features some really fine Cocobolo for the back and sides and Adirondack Spruce on top, which turns out to be a killer combo. Traditional OM specs here, but a nice marriage of tradition and modernity in the product. Very rich and clear, excellent for fingerstyle or flatpicking. And for the price? This is quite a steal.
Other keywords/misspellings: Luthier, lutherie, james, ameritage, evo, 6658,
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Rosewood - Cocobolo 
Add to CompareSOLD Read moreScale Length 25.5 in Nut Width 1.938 in String Spacing 2.375 in Woods Spruce - German, Rosewood - East Indian 
Add to Compare2018 Goodall GC, Quilted Mahogany/Adirondack Spruce
We’ve got a juicy 2018 Goodall Grand Concert here in Quilted Mahogany and Adirondack Spruce that’s ready to get down with the business of making music. You can really dig into this one with a flatpick or a thumbpick, thanks to the Adi top, and throughout you’ll find striking Purpleheart appointments. The neck is half satin, and extra smooth to the touch. Just like the setup on top: smooth sailing from fret to shining EVO fret. Gotoh 510 tuners, Ameritage hardshell case—this 2018 Goodall is the complete package.
Other keywords: hawaii, lutherie, luthier, fingerstyle, mahogany, mastergrade, aaaa, abalone
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Mahogany - Figured 
Add to Compare1999 Goodall BRSC, Brazilian Rosewood/Sitka Spruce
This Goodall BRSC has the added benefits of age to complement it’s gorgeous tonewoods and easy playability. From 1999, it’s got over 20 years under its belt. Brazilian Rosewood back and sides with Sitka Spruce top, 25.5″ scale and 14 fret Mahogany neck, and some lovely Abalone dove inlays along the fingerboard.
Other keywords: lutherie, luthier, guitarbuilding, fingerstyle, cutaway
SOLD Sale! Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Sitka, Rosewood - Brazilian 
Add to Compare2006 Goodall Concert Jumbo Cutaway, Robusta/Port Orford Cedar
The Goodall Concert Jumbo Cutaway packs several guitars’ worth of power and tone in an easy-playing, medium-sized flattop package. Versatility is the name of the game here, and this number from 2006 has got it to spare. This beauty features incredible AAA Robusta back and sides, Red Eucalyptus, which has a gorgeous, tightly interlocked grain pattern and rich chatoyance, paired with a Goodall classic Port Orford Cedar on top. The combination of these two yields a smooth, very balanced voice. The trebles cut nice and clean, and we love how easily this one shifts from loud and energetic to quiet and elegant.
Other keywords: lutherie, luthier, guitarbuilding, fingerstyle, james goodall hawaii guitar, alternative tonewood
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Cedar - Port Orford 
Add to Compare2005 Goodall KGCCK Royal Hawaiian, All-Koa
A beauty for all the senses! Well, maybe don’t lick this one. Here’s what it looks like when you’ve got primo Koa on hand as a luthier based in Hawaii—this 2005 Goodall KGCCK Royal Hawaiian. Tightly flamed Koa back, sides, and top, hand selected by Goodall for their flagship! Purpleheart bindings to set it off, and James’ beach scene inlaid with Pearl and Abalone at the 14th fret. The voice is lively, crisp, and quick, which is also a descriptor we’d use for the slick playability and easy setup. An L.R. Baggs Anthem SL pickup system translates that straight to the stage. This Royal Hawaiian came out of James’ Maui shop in 2005.
Other keywords: lutherie, luthier, guitarbuilding, fingerstyle, james goodall hawaii guitar
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Koa, Koa - Figured 
Add to Compare2007 Goodall RGC 12, Indian Rosewood/European Spruce
Powerhouse 12-string, anyone? We’ve got a dynamite double string serenader here from James Goodall in Rosewood and European Spruce that’s opened up and ready for action. Built in 2007 and played since then, this Goodall RGC 12 plays easily and clearly across the dynamic range. We loved digging in with a thumbpick for bluesy growl, but it also holds up well under a lighter touch where the overtones have more latitude to bloom. An L.R. Baggs iMix pickup system has been installed with volume and blend knobs just under the lip of the soundhole, and the preamp with its multitude of settings is accessible just below that on the back. As we mentioned above, this Goodall RGC 12 hasn’t been sitting idle and collecting dust, and has some first position fret wear and body marks to prove it. We appreciate that this one has been so lovingly played in; the voice is sweet and powerful and clear all at once.
Other keywords: 12 string, leo kottke, leadbelly, fingerstyle, fingerpicking, octave strings, koa, goodall guitars, rgc-12, tkl, lr baggs
SOLD Read moreScale Length 25.5 in Nut Width 1.95 in String Spacing 2.375 in Woods Spruce - European, Rosewood - Indian 
Add to Compare2004 Goodall TMdROM Madagascar/Adirondack (Red)
Interested in a livewire OM with crackling trebles and crisp responsiveness? Look no further than this 2004 TMDROM from the father-son duo at Goodall Guitars with Madagascar Rosewood back and sides and Adirondack Spruce for the top. Part of their Traditional line, this OM has tasteful herringbone trim, a partially scalloped bracing system, and open gear Waverly tuners for all those good vintage vibes.
Set up for both fingerstyle and flatpicking, this TMDROM performs beautifully under a medium attack, and offers a well-balanced voice that’s colored by warm midranges and chirpy treble strings. When played with fingers, this Goodall wratchets up the warmth and dynamism to lend extra color to your arrangements. We’d expect no less from the folks at Goodall Guitars–this TMDROM is an excellent choice for Blues, Bluegrass, and even some forays into altered tunings. Don’t forget: there’s a Fishman Matrix Infinity pickup/preamp too for when you plug in at your next gig.
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods xx, Rosewood - Madagascar 
Add to Compare2007 Goodall MSC Curly Maple/Sitka
Ladies and gentlemen, allow me to introduce you to this lion in a guitar’s clothing. The 2007 Goodall MSC (Maple Standard Cutaway) Dreadnought we’ve got here is a real eye- (and ear-) catcher of a strummer, with tight Curly Maple back and sides and topped with Sitka Spruce–a Dreadnought which is bright and responsive with a bottom-end that is warm and tender. The Curly Maple provides its hallmark crispness and drive, but thanks to the Dreadnought body that brightness is tempered across the registers, such that the tone is even and balanced (two words not often used to describe anything approaching a Dreadnought). A real flatpicker’s delight, this Goodall MSC responds beautifully to aggressive attack for Bluegrass, but is also clean and expressive for a Sunday afternoon waltz. Lastly, the MSC is both a powerhouse unplugged and amplified, thanks to the installation of a L.R. Baggs I-Beam bridge plate pickup. This guitar comes with an Ameritage hardshell case.
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Sitka, Maple - Figured 
Add to Compare2008 Goodall Baritone East Indian/Sitka
Straight from the James Goodall workshop, we have a tremendous and unique addition to your guitar arsenal: a 2008 Baritone Jumbo in Sitka Spruce and East Indian Rosewood. This guitar is a beast–but in a more manageable package than one would expect from a Baritone guitar. The neck profile is deceptively slim and comfortable for the left hand, and the 28″ scale length gives the strings perfect tension for easy fretting. The upper register is fat and juicy–in a word, delicious. Goodall has bound this beauty in Koa, and this guitar comes with two saddles, one each for winter and summer, to compensate for the associated changes in temperature in humidity. So don’t worry! You can bust out sweet, funky riffs all year round. The fit and finish is clean and tight, and there are virtually no play marks or wear and tear anywhere. This guitar comes with an Ameritage hard case.
SOLD Read moreScale Length 28 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Sitka, Rosewood - Indian
Goodall Guitars was formed in 1972 with a simple premise which became our mission statement, Acoustic Excellence. This means that our purpose is to build instruments with superbly rich tone, refined designs and appointments, and the greatest playability available in an acoustic guitar. We think of our guitars as a musical tool and strive for elegant design executed with precision, comparable to that of a master built violin. Our philosophy is to create the finest instruments available at any cost. Offering tasteful appointments, we avoid overly extravagant cosmetic options and allow the natural beauty of the woods to tell their own story. We are confident that the unsurpassed lyrical voice of our instruments will speak for themselves, and greatly inspire players toward their own acoustic excellence.