Heinonen, T. Drew Learn More +
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2023 Heinonen Fretboard Summit SJ, Figured Walnut/Alpine Spruce
Drew Heinonen has truly outdone himself with this 2023 SJ, an instrument that captivates both the eyes and ears. Dressed in the warm, rich tones of Walnut for the back and sides, and paired with the exquisite clarity of Alpine European Spruce on top, this guitar is a work of art in both form and function. The EVO frets promise a longevity of playability, while the Ebano bridge and meticulously placed Abalone appointments add an extra touch of sophistication. With its 25.4″ scale length, this guitar not only dazzles visually but offers an equally enchanting playing experience.
Other keywords/misspellings: Luthier, lutherie, calton, fretboard summit, rocklite
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.31 in Woods Spruce - Alpine, Walnut Add to Compare2018 Heinonen SJ, Quilted Sapele/Cedar
It’s a rare day when we get to spend it with one of Drew Heinonen’s guitars. This SJ comes to us from 2018 with fantastically Figured Sapele back and sides (The Tree devotees take note), Cedar on top, and the Olson-inspired Abalone dove inlays and multi-laminated neck. Slender profile for an agile lefthand feel, and a light buildweight to boot. This particular wood combination balances a crisp fundamental with just enough warm overtones to make for a voice that’s complex, but has good motion and separation across the registers. The bass in particular has a sweet blooming quality when big chords are left to ring out.
Other keywords/misspellings: fingerstyle, hienonen, 035, cedar creek, jim olson
Add to Compare2016 Heinonen SJ, Fiddleback Mahogany/Adirondack Spruce
Drew Heinonen’s builds are a nod to Jim Olson, but with a flavor and tone all Drew’s own. This 2016 SJ is a beautiful example of that with Fiddleback Mahogany back and sides, Adirondack Spruce on top, and elegant wood appointments. It weighs in at a slim four pounds flat, and we love the slim carve of the neck for easy playability. You can lean into this one with an aggressive flatpicking attack and get a lot of bark, or sweetness with fingers. The trebles are smooth, cool, and oh so clear.
Other keywords: james olson, dana bourgeois, bourgeois guitars, olson guitars, t. drew heinonen, fingerstyle, gotoh
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.313 in Woods Spruce - Adirondack (Red), Mahogany - Figured Add to CompareBrand New Heinonen SJ, Bubinga/Sinker Redwood
We’re more than excited to announce our latest partnership with builder Drew Heinonen—and what better way to cut the ribbon to this enterprise than with a brand new 2018 SJ in Bubinga and Sinker Redwood? Bedecked with MOP and Paua Abalone trim and a 42-style treatment across the fretboard, our first Heinonen proves that good looks can get you pretty far in life, but what about that tone? With an aesthetic sympathetic to Jim Olson’s own, it’s not a stretch to expect a similar flavor to the voice as well, which is exactly what we’re here to report.
The name of the game here is clarity. That, and balance. And dynamism. This Heinonen SJ offers a colorful tone palette that works well for a wide range of styles, and we found this guitar soaked up a heavy attack as easily as a gentler touch without topping out. There’s a touch of the Olson smoothness here, but a different brand of energetic response that’s all Drew’s own. The smooth contour of the C profile neck felt like glass in our hands. Speaking of glass, the UV-cured Cardinal finish Drew uses is here buffed to a mirror sheen that’s velvet smooth to the touch.
The experience of playing this Heinonen SJ is one characterized by easy playability, responsiveness, and an expansive dynamic range.Other keywords: james olson, dana bourgeois, bourgeois guitars, olson guitars, t. drew heinonen, fingerstyle, cedar creek, gotoh tuners
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.313 in Woods Redwood - Sinker, Bubinga
T. Drew Heinonen’s journey as a guitar builder began as a senior in college with a course entitled “The Physics of Sound,” a lab based study including a wide range of acoustic properities- sound wave propagation, harmonic and overtone relationships and structure, vibrational patterns of plates, strings, and air, instrument and vocal functionality- and culminating in a final project analyzing the resonant frequencies and responsiveness of his own guitar. After completing a Bachelor’s degree in Religion & Philosophy, he enrolled in the Guitar Repair & Building program at Southeast Tech in Red Wing, MN. While a student in Red Wing, Drew met Dana Bourgeois at a voicing seminar and upon graduation was invited to work in the Bourgeois shop in Maine.