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Scale Length 25.6 in Nut Width 2.063 in String Spacing 2.313 in Woods Cedar, Rosewood - Brazilian Add to Compare1994 Eric Sahlin Classical, Indian Rosewood/Spruce
With a heady waitlist for a new guitar, Eric Sahlin’s Classicals are a rare sighting on the used market. Today we’ve landed a single owner example from 1994 in Indian Rosewood & Spruce that’s completely opened up, rich, and responsive. Eric adorned the soundhole with an intricate mosaic rosette, and paired that with Rosewood bindings (which even follow the curve of the heel) and Sloane tuners at the headstock. This Classical has been lovingly played for the past 25 plus years, and bears the marks of a guitar that never had the chance to collect dust, but we’re happy to report that all that music has paid off for an opened up voice—and the playability is still sweet and easy to boot.
Other keywords: lutherie, nylon string, andrew york, classical guitar, concert classical, classical music, IR, 650mm
SOLD Read moreScale Length 25.6 in Nut Width 2.125 in String Spacing 2.313 in Woods Spruce, Rosewood - Indian
Eric Sahlin was born and raised in Spokane, Washington. His interest in the classical guitar was during his teens when his brother began playing the instrument. He also had the good fortune of listening to the great guitar recordings from his brother’s Musical Heritage Society LPs. Years later, Eric attended college at UC Santa Barbara, which offers a strong classical guitar program. It was in 1975 during this first year in college that he decided to build his first guitar. He also had had a strong interest in handwork and woodworking in particular from a very early age. This, combined with an interest in acoustical physics, made guitar building seem like a wonderful adventure. In preparation, Eric collected and studied books on the subject, and bought his first guitar woods that spring, completing his first guitar that summer. He set up shop building custom furniture, and built guitars, honing his skills on the side. By 1978/1979 he was building guitars full-time, due in part to a chance connection with George Dauphinais of the Dauphin (guitar mail-order) Company, who began marketing Eric’s 7, 8, and 10 string guitars as a less expensive alternative to the various other multi-string instruments. In the early 1980’s, a good lutenist friend of Eric’s suggested he build him a lute. This turned out to be a project that Eric thoroughly enjoyed so he studied these instruments in greater depth and built various models of lutes in addition to guitars.By the end of the 1980’s, the guitar market was strengthening and as Eric had by then established a strong reputation in the guitar community, he redirected his efforts exclusively to his first love, the art of classical guitar building, which he continues to focus on to this day. He currently has a nine-year waiting list, and has proven to be one of the great American luthiers to achieve world-class status.