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Brand New Bresnan GS, Brazilian Rosewood/Adirondack Spruce
Gorgeous from tuners to tail, our latest brand new Bresnan GS is sharp dressed and packing serious tone. Brazilian Rosewood back and sides with some sweet figuring pairs with Adirondack Spruce on top for crispness, power, and headroom. This GS holds up handsomely under a heavier attack, thanks to this stiff Adi top. The voice combines a warm bass response with a wide midrange and focused trebles for a clean, dynamic response. The GS body occupies that sweet spot between big and small, allowing the player an extensive palette of different tunings and attacks.
Other keywords: lutherie, dan bresnan, sean bresnan, fingerstyle, 2102, brazilain, adriondack
$9,725 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian Add to Compare2010 Brondel A1-C, Malaysian Blackwood/German Spruce
What a powerhouse we have here in this 2010 A-1c by Laurent Brondel. Dressed in Malaysian Blackwood and German Spruce—Laurent’s guitars never disappoint and this is no exception. What is exceptional about this instrument however is the bracing. Loaded with a laminated “Larson-style” bracing–this guitar is built for power. It goes without saying there is plenty of headroom here, deep bass as well as strong and sparkling trebles. This dreadnought-sized cutaway is comfortable in hand. Roomy and spacious in both feel and sound. Laurent’s signature arched, rather than domed, top and back certainly contribute to this sense of comfort. As well as the warm and natural aesthetic, this Brondel A-1c feels like home.
Keywords/misspellings: lutherie, luthier, gotoh, ameritage, bowtie bridge, modified dreadnought, maple, bearclaw, bow-tie bridge, evo, bloodwood, 100615.
$10,920 Add to cartScale Length 25.625 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - German, Blackwood - Malaysian Add to Compare2021 Tad Brown CC Gold Archtop, Red Maple/Adirondack Spruce
This Tad Brown CC Gold is a showstopper, equipped with a livewire Charlie Christian cobalt pickup array and a gorgeous finish. This guitar is every bit as lively sounding as it is vibrant looking. But don’t take our word for it; listen for yourself. Gorgeous Red Maple for the back and sides, paired with Adirondack spruce—man, oh man, it doesn’t get much more elegant and classic than that.
Other keywords: duane simpson, arched top, jazz box, 451021, adriondack
Here’s an additional demo: https://youtu.be/SsWMI5NtgI8
$8,840 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Maple - Red Add to Compare2022 Buendia OM, African Blackwood/Swiss Moonspruce
2022 Buendia OM, decked out in African Blackwood and Swiss Moon Spruce; 25″ scale, wide spacing at the saddle. One among many guitars designed with the fingerstylist in mind, but singular in its sound and feel.
This medium-sized guitar from Leo embodies the ideal modern acoustic guitar—all the qualities of a combination like African Blackwood and Swiss Moon Spruce, and the quality you expect from a luthier such as Leo Buendia. Look and listen, for this guitar can do all the talking for itself. Absolutely the definition of a dream guitar.
Other keywords/misspelllings: Luthier, lutherie, bespoke, handmade, california, somogyi, 87, hoffee
$27,560 Add to cartScale Length 25 in Nut Width 1.75 in String Spacing 2.313 in Woods Spruce - Moonspruce, Blackwood - African Add to Compare2014 Buendia Jumbo Cutaway, Indian Rosewood/Sitka Spruce
This Leo Buendia Jumbo in East Indian Rosewood and Sitka spruce is phenomenal! The Sitka top is an incredible, 200-year-old set with insanely tight grain across its length. Leo was a Somogyi apprentice, and the tonal heritage is apparent. The whole sound pallet is full and lush from string to string each note is a pleasure to hear, it must be experienced, not just heard. Ethereal, mesmerizing, magical, all of these words don’t do this guitars justice. Hours spent playing this Buendia will just fly by, it is that engrossing. The craftsmanship is as good as we have seen just about anywhere. This is a guitar more than one person in this shop would love to keep for themselves!
Other keywords/mispellings:luthier, lutherie, hoffee,
$14,980 Add to cartScale Length 25.25 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Sitka, Rosewood - Indian Add to Compare2012 Buscarino Virtuoso, Master Grade Big Leaf Flame Maple/Master Grade Carpathian Spruce
Buscarino Virtuoso from 2012: Big Leaf Maple and Master Grade Carpathian Spruce. Wow, what a special creation we have here. Featuring a stunning burst finish and Art Nouveau inlays, this guitar is as decadent as it is sonorous—a rare combination that coincides beautifully. Incredible for nearly any application, it would be hard for a guitar enthusiast of any persuasion or background not to feel somewhat enamored by this jazz box, which, quite frankly, can do so much more. Look and listen for yourself, folks—this is truly a masterpiece from John Buscarino
Other keywords/misspellings: Luthier, lutherie, bespoke, nc,
$17,160 Add to cartScale Length 25 in Nut Width 1.75 in String Spacing 2.125 in Woods Spruce - Carpathian, Maple - Bigleaf Add to Compare$10,400 Add to cartScale Length 25 in Nut Width 1.75 in String Spacing 2.156 in Woods Spruce - German, Sapele Add to Compare2027 Casimi Guitars Build Slot # 1
This 2027 build slot with Casimi Guitars is currently available! Simply purchase this deposit price, and we will reach out to discuss your custom build, what your needs are, and any special features you’re interested in exploring.
Our process is straightforward:
1. Place the deposit amount to secure the spot on the calendar
2. Paul will get in touch directly to make additional choices of materials and upgrades
3. We will stay in touch all the way until deliveryClick here to read an interview with Casimi Guitars
A note from Paul on the build process:
I really enjoy the process of custom building instruments for players. I got into this whole business because I’m a player first and a songwriter. As a player, I have intimate knowledge of what makers, body shapes, woods, and other attributes of a guitar will most help a player get to their dream instrument. It’s really important to me that a guitar inspires a player to make music. That’s the whole reason I started this business long ago.
I see this process of working with a client and a builder as service. To me, it’s an important part of my life and something I’m really passionate about. The process along the way can be as detailed or relaxed as you want and I guarantee you it is always fun. We start usually by talking about the woods that will get the tone that you want after I hear more about what you play and what you’d like to be able to play. Then we will go on to looking at photos of actual sets of materials and talk about everything from the nut width to the saddle width to the case color that you want. We will then get into the details of the instrument as far as the feel goes and the ergonomics. There’s a lot to talk about here and we have a lot of experience again because of all the guitars we’ve played over the years. We’ll talk about the contour of the neck and we have a special process for that where we use a tool that we can send you to give us shapes of your favorite guitar necks which we can then use as a basis or even completely copy.
Another big value that Dream Guitars has to offer in this process is our shop full of amazing guitars. After we get your initial specs down, you’re welcome to visit the shop as sometimes we will have months before the build starts. You and I can sit and play the world’s finest guitars and confirm that the choices we made are right for you as far as the wood types and specs and you also might find some ideas you want to Incorporate, maybe an armrest bevel, a soundport, or even something you’ve never tried before. Along the way my team and I will be talking to the builder on your behalf and making sure that you get exactly what you want in the end.
The custom guitar world can be really confusing. There’s so many makers now and so many different materials and body shapes, you need someone to really guide you through all the options. One of the big parts of my job is to go to various guitar shows every year all around the world so that I can see what’s happening. I meet with all the makers I’ve been working with for sometimes decades and I stay in touch with what they’re changing, what their new models are, what they have to offer, and what their sounds are evolving into. I also get a chance to visit many of the maker’s shops so that I can be very familiar with what they do, what they love to do, what they don’t want to do, what woods they like, what woods they don’t like, so that I can give you really objective third-party advice all along the way.
By working with you directly myself I allow the builder to stay at the workbench whittling wood and making guitars. While this frees them up a bit, they are always available as well should you really want to have a conversation with the builder. We will facilitate that as well. We always see it as a three way partnership.
Another thing that’s really important to me is the personalities involved in each instrument so I get to know the makers really well year year after year, every time I visit with them at guitar shows, visit their shops, or just have a meal with them. I think their personalities come through in the end result of the guitar so as I’m getting to know you and matching you with the builder I’ll be keeping all of that in mind as well.
The bottom line is this. I’ve been playing guitar since I was ten years old. Every time I have the opportunity to help a client find a guitar of their dreams, that inspires them to make music, it feels like my life’s purpose.
I look forward to helping you build a guitar that will inspire you and I promise we’ll have fun all along the way.
Add to Compare2027 Casimi Guitars Build Slot # 2
This 2027 build slot with Casimi Guitars is currently available! Simply purchase this deposit price, and we will reach out to discuss your custom build, what your needs are, and any special features you’re interested in exploring.
Our process is straightforward:
1. Place the deposit amount to secure the spot on the calendar
2. Paul will get in touch directly to make additional choices of materials and upgrades
3. We will stay in touch all the way until deliveryClick here to read an interview with Casimi Guitars
A note from Paul on the build process:
I really enjoy the process of custom building instruments for players. I got into this whole business because I’m a player first and a songwriter. As a player, I have intimate knowledge of what makers, body shapes, woods, and other attributes of a guitar will most help a player get to their dream instrument. It’s really important to me that a guitar inspires a player to make music. That’s the whole reason I started this business long ago.
I see this process of working with a client and a builder as service. To me, it’s an important part of my life and something I’m really passionate about. The process along the way can be as detailed or relaxed as you want and I guarantee you it is always fun. We start usually by talking about the woods that will get the tone that you want after I hear more about what you play and what you’d like to be able to play. Then we will go on to looking at photos of actual sets of materials and talk about everything from the nut width to the saddle width to the case color that you want. We will then get into the details of the instrument as far as the feel goes and the ergonomics. There’s a lot to talk about here and we have a lot of experience again because of all the guitars we’ve played over the years. We’ll talk about the contour of the neck and we have a special process for that where we use a tool that we can send you to give us shapes of your favorite guitar necks which we can then use as a basis or even completely copy.
Another big value that Dream Guitars has to offer in this process is our shop full of amazing guitars. After we get your initial specs down, you’re welcome to visit the shop as sometimes we will have months before the build starts. You and I can sit and play the world’s finest guitars and confirm that the choices we made are right for you as far as the wood types and specs and you also might find some ideas you want to Incorporate, maybe an armrest bevel, a soundport, or even something you’ve never tried before. Along the way my team and I will be talking to the builder on your behalf and making sure that you get exactly what you want in the end.
The custom guitar world can be really confusing. There’s so many makers now and so many different materials and body shapes, you need someone to really guide you through all the options. One of the big parts of my job is to go to various guitar shows every year all around the world so that I can see what’s happening. I meet with all the makers I’ve been working with for sometimes decades and I stay in touch with what they’re changing, what their new models are, what they have to offer, and what their sounds are evolving into. I also get a chance to visit many of the maker’s shops so that I can be very familiar with what they do, what they love to do, what they don’t want to do, what woods they like, what woods they don’t like, so that I can give you really objective third-party advice all along the way.
By working with you directly myself I allow the builder to stay at the workbench whittling wood and making guitars. While this frees them up a bit, they are always available as well should you really want to have a conversation with the builder. We will facilitate that as well. We always see it as a three way partnership.
Another thing that’s really important to me is the personalities involved in each instrument so I get to know the makers really well year year after year, every time I visit with them at guitar shows, visit their shops, or just have a meal with them. I think their personalities come through in the end result of the guitar so as I’m getting to know you and matching you with the builder I’ll be keeping all of that in mind as well.
The bottom line is this. I’ve been playing guitar since I was ten years old. Every time I have the opportunity to help a client find a guitar of their dreams, that inspires them to make music, it feels like my life’s purpose.
I look forward to helping you build a guitar that will inspire you and I promise we’ll have fun all along the way.
Add to CompareBrand New Caton Carolina, Macassar Ebony/Carpathian Spruce
Kevin Caton’s Carolina model packs a wallop. With a 16 inch lower bout, this Carolina has lots of real estate for tone generation, which the Macassar Ebony body and Carpathian Spruce top take immediate advantage of. Great headroom allows for a heavier attack, with a strong fundamental in the bass register and some sparkling overtones on the top end. Kevin’s asymmetrical upper bout design allows for easy fingerboard access without compromising the amount of air the body can move, and looks fresh and modern to boot. When you factor in the geometric motifs at the endgraft, rosette, heelcap, and headplate, this Caton Carolina stands out from the crowd in all the right ways.
Other keywords: lutherie, luthier, guitarbuilding, 60, tkl
$7,800 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Carpathian, Ebony - Macassar Add to Compare2020 Charis SJ, Brazilian Rosewood/Cedar
A beautiful example of Bill Wise of Charis’s work in the shop! This is a recent build from 2020, 13 frets to the body with Cedar on top and figured Brazilian Rosewood back and sides. Creature comforts include a soundport, arm bevel, cutaway, and of course Bill’s trademark slender and agile neck profile. The feather in the cap here comes in with the delicately rendered flower inlaid with the fingerboard. All wrapped up in a custom Mainstage flight case.
Other keywords/misspellings – main stage, fingerstyle, brw, brazilain, 13-fret
$12,480 Add to cartScale Length 25 in Nut Width 1.75 in String Spacing 2.25 in Woods Cedar, Rosewood - Brazilian Add to Compare2024 Circa OM-40C, Madagascar Rosewood/Adirondack Spruce
We love John Slobod’s guitars, and this Circa OM-40C from 2024 meets our high expectations. With Madagascar rosewood and Adirondack spruce, along with ornate abalone appointments throughout, it’s clear that John is in a league of his own when it comes to fit, finish, and sound quality. This guitar is a truly wonderful marriage of tradition and modernity. We can’t imagine what it will sound like in years to come, as it has already hit it out of the park.
Other keywords/misspellings: Luthier, lutherie, bespoke, trad, fingerstyle, ameritage
$17,680 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Rosewood - Madagascar Add to Compare2010 Claxton EM-C Brazilian Rosewood/German Spruce
It is an exquisite treat to have this 2010 Claxton EM-C in your hands. The voice is crisp, with added sweetness in the mids and treble for a great mix of warmth and precision; fingerstyle rarely sounds so fine as it does here. Brazilian Rosewood back and sides are augmented with gorgeous ink lines and dramatic figure; Spruce on top which has opened up oh so well; silky setup that’s as easy as breathing. How to go wrong with this guitar? The only way we can think is to not play it. Ed has recently retired–congrats, Ed!–meaning there won’t be any more guitars like this coming down the line. All wrapped up in a sturdy Calton case for maximum safety.
Other keywords: fingerpicking, 111/186, brazilain, claxton guitars, mosaic, cutaway
Additional demo: https://youtu.be/lqVdtlajoGc
$14,560 Add to cartScale Length 25.4 in Nut Width 1.781 in String Spacing 2.313 in Woods Spruce - German, Rosewood - Brazilian Add to Compare1982 Brian Cohen, Classical Brazilian Rosewood/Cedar
This 1982 Brian Cohen Classical, with its Brazilian Rosewood back and sides and Cedar top, exemplifies craftsmanship and tonal beauty. The combination of woods offers a rich, resonant bass and warm, clear trebles, making it a prized instrument for its powerful yet nuanced sound. A true collector’s piece, it showcases the artistry and acoustic excellence synonymous with Cohen’s work.
Other keywords/misspellings: Luthier, lutherie, concert, hiscox, london, hiscox
$6,500 Add to cartScale Length 25.625 in Nut Width 2.125 in String Spacing 2.313 in Woods Cedar, Rosewood - Brazilian Add to Compare2017 Comins Salutation Archtop, Flamed Maple/Sitka Spruce
This 2017 Salutation model from Bill Comins feels right at home in your hands after the first chord. 16 inches across the lower bout with a 6 pound playing weight, this Salutation is extra comfortable and comes setup for fast action with the 25″ scale and 1 11/16″ nut. Flame Maple back and sides (and neck), with Sitka Spruce on top plus an upgraded black chrome Kent Armstrong pickup and gold Waverly tuners with Snakewood buttons. This Salutation model comes with smooth S holes to match the curvaceous lower bout and cutaway. The Salutation stripe motif extends from the headstock veneer to the pickguard, tailpiece, and heelcap.
Other keywords: comins guitars, duane simpson, lutherie, luthier, 0289, fingerstyle jazz
Additional demo here:https://youtu.be/L691SQlYxvM
$14,560 Add to cartScale Length 25 in Nut Width 1.688 in String Spacing 2.063 in Woods Spruce - Sitka, Maple - Flamed