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2003 Claxton EM-C, Brazilian Rosewood/Adirondack Spruce
Our latest Claxton comes in a sharp-dressed suit with a voice to match. This 2003 EM-C is decked out with Brazilian Rosewood back and sides, Adirondack Spruce on top, and a slick rosette of geometric patterns for a feather in its cap. Lightweight and agile, this Claxton has a bell-like quality to the trebles that helps cut right through the mix, and we found the bass and lower mids paired will to flesh out the voice. The setup is glass-smooth and a breeze on the hands; drinks up both flatpicks and fingertips like water on a hot day.
It doesn’t take much to get the Red Spruce top singing, and that’s regardless of if your in standard tuning or more adventurous territory. We get a special feeling when we come across an exceptional set of Brazilian Rosewood, and that’s exactly how we felt when we pulled the one out of the case. It’s got lovely curving grain patterns with black ink lines, but is not so dramatically figured that we’d worry about the wood holding up to the vagaries of time humidity. The neck carve is a touch on the slim side of life to help facilitate that aforementioned glassy playability, and there’s a standard 25.4” scale, 1.75” nut, and 2.25” saddle spacing that’ll feel familiar at first strum.
Does this 2003 Claxton EM-C have any drawbacks? Maybe, but for the life of us we can’t find one.Other keywords: lutherie, luthier, handbuilt, brazilain, emc, em c, cutaway, calton case, flight case
Additional Demo:https://youtu.be/z–NFOgzGsE
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian Add to Compare2012 Claxton EMC, Brazilian Rosewood/Spruce
Here we’ve landed a fantastic example of Ed Claxton’s EMC model from 2012 with dramatically figured Brazilian Rosewood back and sides, Spruce top, Padauk bindings and appointments, and a subtle combination of Snakewood and Brazilian Rosewood for the headstock veneers. Aside from a geometric mosaic rosette, Ed’s aesthetic emphasizes the equality and beauty of the woods themselves. This is an excellent example of a modern fingerstyle guitar that has a clean palette of tones, which is to say you can adapt this guitar for a wide range of styles very easily. Comes wrapped up in a custom Calton flight case for maximum security.
Other keywords: lutherie, fingerpicking, brazilain
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce, Rosewood - Brazilian Add to Compare2002 Claxton EM, Brazilian Rosewood/Adirondack Spruce
Here we’ve landed a 2002 Claxton EM model that’s wide awake and setup for just about anything. Brazilian Rosewood back and sides pairs with Adirondack Spruce on top, 25.4″ scale, 1.75″ nut, and 2.25″ saddle string spacing. A pickup was previously installed and has been removed, leaving the input jack at the tail should you want to wire this guitar for a new pickup; Ebony button at the heel to strap into. The neck carve is a gentle C profile with hints of a soft V, and the setup is superb. All wrapped up in a custom Calton flight case.
Other keywords: lutherie, claxton guitars, brazilain, adriondack, 60/114
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian Add to Compare2003 Claxton Malabar, Brazilian Rosewood/Engelmann Spruce
Ed Claxton’s Malabar model strikes a fine balance between Parlor and OM: intimate and colorful dynamic range, plus added power and projection. This particular example is a beauty with Brazilian Rosewood and Engelmann Spruce, 12 fret neck, and a 1 7/8” nut for comfortable lefthand work. The setup is slinky and smooth, holding up well for dropped and altered tunings, and with a sub-four-pounds playing weight it’s so comfy to boot.
The voice is lush and smooth, with an easy blend between bass, mids, and treble. Big chords sound out sweet and envelop you; a perfect instrument for spacious airs. Built in 2003, this Claxton is still in excellent shape, with the added bonus of having opened up for going on two decades.Other keywords: lutherie, luthier, handbuilt, brazilain, wavily, fingerstyle, parlor, small-bodied, calton,
SOLD Read moreScale Length 25.4 in Nut Width 1.875 in String Spacing 2.375 in Woods Spruce - Engelmann, Rosewood - Brazilian Add to Compare2013 Claxton Malabar, Brazilian Rosewood/Italian Spruce
Well, well, well: Small sized guitar realizes big box ambitions. This 2013 Claxton Malabar has great depth and resonance, clean and easy trebles, and a well-balanced midrange that ties it all together. Brazilian Rosewood back and sides, Italian Spruce on top, Mahogany neck, Ebony bindings; Ed’s eye for fine wood hasn’t led him astray yet. And a Calton flight case for safe keeping!
The voice is characterized by clarity and sustain, with a full-throated projection that we’d expect from a guitar with a few more square inches across its top. With light gauge strings we were able to tune down to C# and still have enough string tension to play comfortably and intonate properly, and we imagine you could substitute a heavier low E string to go all the way into C tuning territory.
We see heaps of builders who want a full-size voice to come out of their smaller guitars—but the handful who achieve this feat is slim, and Ed Claxton is right there at the top. We can’t recommend this Malabar highly enough.Other keywords: lutherie, luthier, handbuilt, brazilain, gotoh, fingerstyle, parlor, small-bodied, flightcase, 13-fret, 13 fret
SOLD Read moreScale Length 25.4 in Nut Width 1.78 in String Spacing 2.313 in Woods Spruce - Italian, Rosewood - Brazilian Add to Compare1998 Claxton EM Indian Rosewood/Sitka Spruce
This baby does it all. In essentially the same shape since its birth in 1998, this Claxton EM can take whatever tuning or genre you throw at it and make something beautiful out of it. The classic combination of Indian Rosewood and Sitka Spruce has rarely sounded so crisp, even, and projective–at Claxton’s SJ-size, this EM has a huge voice, but its lightweight construction makes for a guitar that’s easy on the shoulders to play for extended periods of time.
The string-to-string balance is yep, you guessed it, superb; the bass notes are rich but focused, paired sweetly with the trebles. When we flatpicked tunes, the EM roared, then with nails and fingertips we found the woody tones in the lower-middle register blossomed. After only a moment’s strum you can tell this EM has opened up deliciously since 1998.
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.18 in Woods xx, Rosewood - Indian Add to Compare2007 Claxton EM Brazilian/Italian
This 2007 EM from Ed Claxton tastes like the first time you bit into real New York cheesecake: rich as sin and silk-smooth. With Brazilian Rosewood and Italian Spruce, who’d be surprised? Each and every note intonates wonderfully across the fretboard, and the neck profile is gossamer and fast. If you crave a setup that’s buttery and easy, look no further. The bass response has an impressive fundamental, and notes tend to hang in the air for long seconds.
When we dropped this EM into DADGAD and CGCGAD, the voice remained crisp and focused. While you can put any guitar in C tunings, sure, but only one in a great many sounds just as clear and responds as well as though it were in standard. Honestly, we can’t find any fault with this Claxton–even the case rocks (it’s a Calton).
SOLD Read moreScale Length 25.4 in Nut Width 1.78 in String Spacing 2.25 in Woods xx, Rosewood - Brazilian Add to Compare2011 Claxton EM Brazilian/German
This Claxton EM is a charmer! The Brazillian Rosewood is out of this world pretty and adds a richness and color to the voice that make it perfect for altered tunings and standard alike. The German Spruce top makes sure the lows rumble and the highs soar, it’s a joy to hear and play. It’s a breeze to play, a warm summer breeze that is. And that rosette, what a beautiful thing.
SOLD Read moreScale Length 25.38 in Nut Width 1.81 in String Spacing 2.25 in Woods Spruce - German, Rosewood - Brazilian Add to Compare2007 Claxton Classical Flame Maple/European
This is a beautiful Ed Claxtn classical with lovely woods, comfortable dimensions, and a sound that is punchy and clear without sacrificing any sweetness. Ed is well known as one of the premier luthiers of our time and his instruments are very much in demand. The flame mahogany neck here compliments the very pretty maple sides and back, and the European Spruce top rounds out the tone and looks wonderfully.
SOLD Read moreScale Length 25.4 in Nut Width 2.008 in String Spacing 2.275 in Woods Spruce - European, Maple Add to Compare2002 Ed Claxton EM Figured Mahogany/Adirondack
This is what mahogany is all about. Paired here with Adirondack it gives this guitar multiple gears. Played sweetly you get mahogany’s wonderful clarity and breath but push it a bit and up comes a powerful throaty growl. The Adirondack is perfect on top and adds sparkle and tons of headroom. This is a guitar that can easily handle lots of terrain. We love the unique rosette and Ed’s always understated and elegant appointments. One serious axe. This instrument features:
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Mahogany Add to Compare2006 Ed Claxton EM Grand Concert Brazilian/German Spruce
Ed Claxton is highly regarded as one of the finest luthiers today. He builds a guitar heralded for it’s clarity, balance and full, rich voice. Unless you play one it’s hard to believe just how gorgeous the tone is. This 2006 EM is in mint condition and crafted from stunning Brazilian Rosewood and Master Grade German Spruce. The rosette is Ed’s wonderful original design. Lastly there is a Calton Deluxe Flight case, a $900 value included.
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - German, Rosewood - Brazilian Add to CompareEd Claxton Concert Brazilian/Sinker Redwood From book Guitars, by David Schiller
Here we have a totally custom Concert guitar from Ed Claxton. This very guitar is featured on page 471 of the book Guitars, by David Schiller. Ed has built a reputation by building instruments with sumptuous tone, impeccable build quality and the finest materials. This guitar is no exception, it features some of the finest Brazilian Rosewood you will find with stunning grain and rich tone. It is accentuated by an incredible Sinker Redwood top that gives it a unique combination of power and warmth, This is very rare Redwood salvaged after more than 100 years at the bottom of the Big River near Mendocini California . It is thought to have originally grown high up on the ridge in conditions that make it very stiff and strong. This Sinker Redwood can be made thinner than typical Redwood and we can tell you the voice is astonishing. Between this most striking set of Brazilian Rosewood, vibrant Sinker Redwood top and the hands of Ed Claxton, this is a special concert guitar by one of the most sought after modern luthiers.
SOLD Read moreScale Length 25.59 in Nut Width 2.05 in String Spacing 2.28 in Woods Redwood, Rosewood - Brazilian Add to Compare2001 Claxton EM-C Indian/German
Ed Claxton’s guitars are coveted for their amazing clarity and power. This guitar is no exception and in addition offers supreme playability. The German top is perfect and adds sumptous warmth to the voice of this superb guitar. This is one of those instruments that can alter your musical path in very positive ways.
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.19 in Woods Spruce - German, Rosewood - Indian Add to Compare2002 Claxton EM Figured Mahogany/Adirondack Red
This is what mahogany is all about. Paired here with Adirondack it gives this guitar multiple gears. Played sweetly you get mahogany’s wonderful clarity and breath but push it a bit and up comes a powerful throaty growl. The Adirondack is perfect on top and adds sparkle and tons of headroom. This is a guitar that can easily handle lots of terrain. We love the unique rosette and Ed’s always understated and elegant appointments. One serious axe.
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Mahogany Add to Compare1991 Brian Cohen 1936 Hauser Indian/European
This guitar is a meticulously crafted replica of Hermann Hauser’s famous 1936 instrument, by arguably the best maker in England today. Projecting a clear focused sound, if you are looking for a fast player with a HUGE variety of tonal colors, this is your guitar! Brian Cohen has been building guitars since 1972, and is widely regarded as one of the finest builders of classical guitars in the UK. This gem, made from East Indian Rosewood and European Spruce, is a wonderful example of his historically accurate Hauser-style. It is warm and open, with great string balance and powerful projection. The neck is very comfortable as well. A great guitar by one of Britain’s top builders.
SOLD Sale! Read moreScale Length 25.59 in Nut Width 2 in String Spacing 2.25 in Woods Spruce - European, Rosewood - Indian